The Costume Maker
My new novel puts a different lens on
WWII and its consequences ~
Ordinary people, left with memories no one should bear.
A Child’s Journey Doesn’t Stop When She Grows Up
In 1938, Wilhelmina Hendricks’ father put her on a KinderTransport train from Berlin to Coventry to save her life. But tragedy follows her – from the Blitz, to haute couture Paris and back to London. Now it’s 1974, and she’s Costume Maker for the Royal Albert Hall, struggling to forget a past no child should endure.
When a homesick teen infiltrates her fairytale atelier, their unexpected friendship rattles long-silenced memories of family and faith, allowing Willi to finally reconcile her shame and loss and make peace with herself, with others, and with history.
The Way Home, London Transport poster by Marc Fernand Severin, 1938
currently seeking representation
A major character in my book, The Royal Albert Hall celebrates 150 years in 2021.
The Dream Team
The Penguins are at it again! Early on, I had the absolute honor of writing about the nascent Pittburgh Penguins. One day I returned to my home office and a plumber (hired to fix a tub but also a passable secretary) gleefully told me I had a message — which he’d replayed over and over to hear Mario Lemieux on my answering machine. There’s a reason they’re a hometown treasure.
My work runs the multi-media gamut of magazines, books, online, television, newspapers, & podcasts. An expat kid raised in the US, UK & Greece, my multi-cultural existence included Vienna, Tokyo, New York, Washington, DC, & Singapore.
Wings clipped like everyone else during this pandemic, I’ve relied on research and reading to take me outside my walls. Stay home. Stay Safe. Read.
Government-issue military cases served as protection for such treasures as photos and letters from loved ones. In The Costume Maker, a granddaughter locks her memories up in just such a hand-me-down case — but is she hiding her past from the world, or from herself?
In the ’70s, LONDON
was becoming a truly cosmopolitan city for the first time, as the legacy of the collapse of the British Empire wore the face of immigrants from Asia, Africa and the Caribbean, reshaping whole post codes. Tit for tat. A hard-working, multi-cultural, post imperial target for anti-immigration white working-class anger, the clash heard ‘round the world. This was the London welcoming the Eliot family from New Jersey. ~ from The Costume Maker